L. Frank Baum…
HOLLYWOOD PIONEERS
L. Frank Baum
The Wizard of Cherokee Avenue

L. Frank Baum
By Allan R. Ellenberger
L. Frank Baum, the author of numerous children’s classics including “The Wizard of Oz,” left his impression on the world – in particular the literary and film world. Few people know that Baum spent the last nine years of his life living in Hollywood and was one of its earliest residents.
At his home located at 1749 N. Cherokee Avenue (at the corner of Yucca), which he christened “Ozcot,” Baum wrote many of his best loved “Oz” books, including “The Emerald City of Oz” (1910), “The Patchwork Girl of Oz” (1913), “The Lost Princess of Oz” (1917) and many more.
Lyman Frank Baum was born in Chittenango, New York on May 15, 1856. After his graduation at the Syracuse Academy he began newspaper work in 1880. Two years later he married Maud Gage of Fayetteville, New York. Baum was the editor of the Dakota Pioneer of Aberdeen, South Dakota from 1888 to 1890 and the Chicago Show Window, from 1897 to 1902. During that time he began writing books and plays. His first effort was “Mother Goose in Prose,” which was published in 1897.

Baum next decided to join forces on a children’s book with a friend, the artist W. W. Denslow. “Father Goose, His Book,” published in 1899, was a best-seller. One of the five books he published in 1900, also based on stories he had told his sons and illustrated by Denslow, was “The Wonderful Wizard of Oz,” which instantly broke records for sales and made Baum a celebrity.
More Oz books followed and over the next two decades he wrote over 35 non-Oz books under various pseudonyms aimed at various audiences. Always looking for new channels for his creativity, Baum became interested in films. In 1909 he founded a company to produce hand-colored slides featuring characters from his Oz books. These were shown while he narrated and an orchestra played background music.
With his health failing, Baum and his wife came to California in January 1910 to create his own fairyland. At the time, their son Frank had been living in Los Angeles at 2322 Toberman Street for more than two years. The Baum’s lived with their son for a while before obtaining an apartment on Park Grove Avenue near downtown Los Angeles.

Ozcot, the home of author L. Frank Baum and his wife Maud which was located at 1749 N. Cherokee Avenue in Hollywood (LAPL)
Looking for their own residence, Baum found the sparsely settled village called Hollywood, which – at the time – was mostly citrus groves. He immediately bought the plot of ground on which he built a two-story frame house that he named “Ozcot.” In 1910, the street was known as Magnolia but was renamed Cherokee two years later.
On the second floor he had a long enclosed porch with a view of the distant mountains, and downstairs at one end a large sunroom where he grew flowers. He built a large bird cage, big enough for a zoo, and there kept hundreds of rare and exotic song birds. In his garden he planted roses, dahlias and chrysanthemums. Before long he was recognized as a champion amateur horticulturist in Southern California.
Baum had traveled the world but developed a great affection for his new home: “Travels through Sicily, Italy, or a winter on the Upper Nile, all have their attractions but from what I have learned by actual experience, none of these countries compares with Southern California. There is a charm in the very atmosphere, an indefinable something which attracts and holds,” Baum once said.
At the time of his move to Hollywood, he was working on what he hoped would be the last “Oz” book, “The Emerald City of Oz.” Baum continued to turn out children’s stories at an amazing rate. To avoid flooding the market with books under his own name, he did one series after another, for both boys and girls, under pen names – Floyd Akers, Edith Van Dyne, Captain Hugh Fitzgerald, Laura Bancroft, Suzanne Metcalf and Schuyler Stanton.
Baum’s arrival in Hollywood, just a year before the advent of motion pictures, made it inevitable that he would be drawn into the fledgling industry. An earlier attempt at filmmaking in Chicago lost him a great deal of money, and in June 1911 he was forced to declare bankruptcy. However, with royalties coming in from his books, he was by no means a charity case. A later venture into the film business, the Oz Film Company in 1914, produced six movies but experienced severe distribution problems and also failed, though not as disastrously.
Baum and his wife Maud lived quietly at Ozcot, gardening, writing stories, and answering the hundreds of letters he received from Oz-struck children. In February of 1918, Baum took ill at Ozcot and was admitted to Angelus Hospital where he was operated on. Maud blamed the illness on the hard work of his newest novel, “The Tin Woodman of Oz,” which was due to be published in the fall.
Baum, left immobile due to the illness, was restricted to minor tasks throughout the day. The pressure and strain contributed to attacks of angina pectoris, as well as unpredictable, gall bladder problems, and excruciating sharp pain jabs across his face.
After a 24-hour coma, L. Frank Baum died at Ozcot at 7 p.m. on May 6, 1919, supposedly uttering, “Now we can cross the Shifting Sands” just a minute before expiring. Baum was survived by his wife Maud and four sons, Frank, Robert, Harry and Kenneth.

Funeral services for Baum were held at the Little Church of the Flowers in Forest Lawn Cemetery in Glendale. Rev. E. P. Ryland, who was a close friend of the author, officiated and during his remarks said of Baum: “He was a man who knew the heart of a child, and was a friend of men.”
A quartet from the Uplifters’ Club of the Los Angeles Athletic Club, of which Baum was an organizer, sang several selections including, “Eternity,” with Harold Proctor as soloist. The authors oldest son, Captain Frank J. Baum was in France at the time serving in World War I.
“Glinda of Oz” the last book written by Baum at Ozcot
Two of Baum’s works, “The Magic of Oz” (1919) and “Glinda of Oz” (1920) were both published posthumously.
Maud Gage Baum continued to live at Ozcot and died there on March 6, 1953. She had been confined to bed the greater part of the last four years of her life after suffering a broken hip in a fall. She was 91.

Ozcot was razed in the late 1950s and a non-descript apartment building (above) was built in its place. It’s doubtful that the current residents are aware of the literary history that occurred on this site.
NOTE: On August 15, 1939, The Wizard of Oz, starring Judy Garland, premiered at Grauman’s Chinese Theater - only 3 blocks from Ozcot.
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March 23rd, 2009 at 9:41 am
Yuk crap apt bldg for that beautiful house. What a shame.
March 23rd, 2009 at 4:23 pm
Wonderful post Allan! Loved all the details, and you know how I eat up those “then and now” photos. But this one was such a shocker from beautiful to incredibly blah and icky.
March 24th, 2009 at 8:38 am
very very interesting Allan!
Great job!
i SO look forward to your blogs!
thanks for sharing….
March 24th, 2009 at 10:37 am
Thanks Kim, Harry and DW. Sadly a lot of intersting architecture and historical spots are gone in Hollywood.
March 24th, 2009 at 3:57 pm
What a gorgeous home and writing environment Ozcot was! *drool* Wonderfully insightful post, yet again, Allan. I remember John Ritter played L. Frank in a TV movie years ago. Am always fascinated with LFB, thanks so much for all the great details!
March 24th, 2009 at 4:43 pm
An excellent example of how something so beautiful AND historic, AND literary, has been replaced by something so ugly and non-descript which adds nothing to the area but cheap hideous apartment housing. If this doesn’t make the case for preservation, nothing can.
March 25th, 2009 at 2:14 pm
Who was the genius that came up with this intelligent project, replace old homes with new shames?
What a damn idea to replace the beautiful house for a block of cement that this building is. Never mind that in this house was created the Emerald City of OZ, just for that alone it should be named an historic site. It should remain as a relic for the city, state, and country. What a shame!!
November 5th, 2009 at 11:11 pm
Unfortunately, this is only one example of how LA values its history.